La Caja del Pánico
The panic box, by Bernard M’ba. Short film made during the 36 Hours of Film Survival of Zaragoza, a festival organized by Cinemavip. Music by Gonzalo García Santos.
The panic box, by Bernard M’ba. Short film made during the 36 Hours of Film Survival of Zaragoza, a festival organized by Cinemavip. Music by Gonzalo García Santos.
The work of a film composer is not always a smooth road to recognition and fame. The conversations with the director who tries to explain to you with homemade and vague terminology the style he wants for the music of the film, the hard hours of invocation to the muses after watching the same scene once and a hundred times, the feverish work against the clock so that the production is finished.
Bernard M’ba’s short film “El novio perfecto, corazón oscuro” has been selected for the Jameson Notodofilmfest competition. Music by Gonzalo García.
On Friday, July 2, Jorge Martija’s short film “Morguetown” premiered to a warm reception from the audience.
Confirmed my participation as composer of the soundtrack of the short film “La invasión de los pellejudos” in the short film contest organized by Cinemavip in Lerma on July 21, 22, 23 and 24, 2010. 36 HOURS OF FILM SURVIVAL
“Gato Gótico” is an animated series created by Jorge Martija. The soundtrack I composed is symphonic in the style of action soundtracks.
We are already in the final stages of production of Copy Cat’s short film, “Morguetown”. Written and directed by Jorge Martija, this production, which has its own comic book version, soon to be published, takes us into a city where life and death move in shared dimensions.
Setting for a crime novel scene. The underworld of a city full of dangers in every corner. There is a lot of humidity in the atmosphere but the mouth is still cold.
The engines are running. Adrenaline pumps in my brain because the mission is dangerous and my duty is to carry it out victoriously. I cannot fail…
Main tune for a children’s program with different content spaces. Set inside a spaceship, a presenter talks to a robot. Based on an idea by producer Jorge Martija.
Graduated in Classical Philology and later obtained the Superior Title of Professor of Harmony, Counterpoint, Composition and Orchestration at the Royal Conservatory of Madrid, where I received the teaching of Antón García Abril, Luis de Pablo, and Emilio Rey among others.
Composer and music producer for Audiovisuals, Theater, Dance and Concert Music.
Training in Musical Pedagogy, Singing and Choir Conducting, Music for Dance, Music for Cinema at the Fundación Autor, Electroacoustic Music and Sound at the Gabinete del Conservatorio de Cuenca, where I premiere and publish experimental and avant-garde works on CD.