Morguetown es el proyecto de un joven director en el que he trabajado componiendo la banda sonora de varias de sus obras. En su día publiqué la noticia del estreno de esta película. La película ya está en la red y tengo el placer de ofrecerla desde este blog.
One of the jobs that has given me the greatest satisfaction has been the composition of the musical soundtrack for the film by the young Colombian filmmaker and screenwriter Jhon Salazar: El Zulo. It is a coproduction of the Colombian Borojo Producciones and the Spanish Espacio Técnico Z.
An original initiative is being launched to solve, to a great extent, the crisis in the audiovisual industry. Filming teams are starting to be set up all over Spain to bring to fruition an excellent project that will be able to cover the artistic and technical needs of a market that demands quality and originality.
The panic box, by Bernard M’ba. Short film made during the 36 Hours of Film Survival of Zaragoza, a festival organized by Cinemavip. Music by Gonzalo García Santos.
Participating in the third edition of 36 Hours of Film Survival that this time takes place in Zaragoza, we will defend the film project of Bernard M”Ba, “La Caja del Pánico”. On this occasion I will play the role of composer of the original music and sound production and realization.
Bernard M’ba’s short film “El novio perfecto, corazón oscuro” has been selected for the Jameson Notodofilmfest competition. Music by Gonzalo García.
On Friday, July 2, Jorge Martija’s short film “Morguetown” premiered to a warm reception from the audience.
Confirmed my participation as composer of the soundtrack of the short film “La invasión de los pellejudos” in the short film contest organized by Cinemavip in Lerma on July 21, 22, 23 and 24, 2010. 36 HOURS OF FILM SURVIVAL
We are already in the final stages of production of Copy Cat’s short film, “Morguetown”. Written and directed by Jorge Martija, this production, which has its own comic book version, soon to be published, takes us into a city where life and death move in shared dimensions.
Graduated in Classical Philology and later obtained the Superior Title of Professor of Harmony, Counterpoint, Composition and Orchestration at the Royal Conservatory of Madrid, where I received the teaching of Antón García Abril, Luis de Pablo, and Emilio Rey among others.
Composer and music producer for Audiovisuals, Theater, Dance and Concert Music.
Training in Musical Pedagogy, Singing and Choir Conducting, Music for Dance, Music for Cinema at the Fundación Autor, Electroacoustic Music and Sound at the Gabinete del Conservatorio de Cuenca, where I premiere and publish experimental and avant-garde works on CD.